New-sounds-in-minimalism
"Ragas" style

1996

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Opus 95.1 Universal Rhythm for solo tape winter 1996 premiered Spring 1996 in Davis
 This work is registered with ASCAP  the ASCAP work ID is: 460357435

Opus 95.2.1 Chromatic universal rhythm solo & piano version premiered Spring 1996 in Davis
 This work is registered with ASCAP  the ASCAP work ID is:: 330533838

Opus 95.2.2 Chromatic universal rhythm trumpet & organ version premiered Spring 1996 in Davis
 This work is registered with ASCAP  the ASCAP work ID is:: 330533856

Opus 95.2.3 C major universal rhythm premiered Spring 1996 in Davis  
This work is registered with ASCAP  the ASCAP work ID is:: 330533865

Opus 95.3.1 Intonation study on #10 D major winter 1996 premiered Spring 1996 in Davis
 This work is registered with ASCAP  the ASCAP work ID is::390562524

Opus 95.3.2 Intonation study on #26 in Gb winter 1996 premiered Spring 1996 in Davis 
 This work is registered with ASCAP  the ASCAP work ID is::390562533

Opus 95.3.3 Intonation study on #41  Premiered Spring 1996 in Davis
 This work is registered with ASCAP  the ASCAP work ID is::390562542

Opus 95.4 Grand duo for violin and horn premiered in Davis, Spring 1996  
 This work is registered with ASCAP  the ASCAP work ID is:: 370274481 listed as op. 96 4 

The set of opus 95 along with opus 96 & 97 all have a similar & particular style to them. I had felt I had come to a major breakthrough in my studies. I charted the overtone series in relationship to the scale. This is a way of looking at a scale that I really like. It give the scale a signature similar to the of a star when it is looked at in spectrum analysis. Each set of notes is different.

These compositions have a tonic drone and rythym patterns above the drone in correlation to the overtone. I. e. a D in a C scale would be played every 9 beats and an E every five.

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