Arranged for French Horn ensemble.
Recorded via multi-tracking by Richard Burdick.
A sequel to Richard Burdick's Easter Oratorio CD and his Favorites CD
Released: August 1st 2016
Richard O. Burdick comments About this CD: "Since my recording of Bach’s Easter Oratorio, I frequently listen to the Cantatas of J. S. Bach’s. I am slowly developing a list of my favorite ones. These three are part of my list of all-time favorite, along with BWV82, which I recorded on my Favorites CD."
Richard Burdick as a musician:
French hornist: Richard O. Burdick is the first horn of Regina Symphony Orchestra and the Regina Symphony Chamber Players in Regina, Saskatchewan, Canada. He is a prolific composer.
His move to Canada in 2003, with his wife Rebecca and his two boys, marked the start of the fourth major period in his musical Career.
In the 1980’s Richard was first Horn of Napa Symphony, a member of a San Francisco based theater orchestra and played lots of chamber music as manager of Trinity Chamber Concerts, a chamber music series in Berkeley California.
Starting in 1990 he played fourth Horn full-time for Sacramento Symphony, which went bankrupt in 1996. He then won auditions for Fresno Philharmonic, Napa & North State Symphonies and played in Sacramento Philharmonic & Opera.
He is a prolific composer and has many self produced CD’s of his own compositions, Bach, his classical natural horn playing and multi-track performances of many of his favorite pieces.
He performs on a variety of horns, a baroque natural horn (1720), a classical era natural horn (1800), a romantic era (1840's) natural horn, a single F horn from the 1880's, his main symphony horn is a Brendan Model Finke triple horn.
He has also done many music related jobs such as arranger for Sacramento Symphony, librarian and personal manager for Sacramento Philharmonic, and manager of Trinity Chamber Concerts (chamber music series) in Berkeley, California for 19 years starting in 1984.
Track |
CD39 – Bach by Popular Demand |
Duration |
1 |
Cantata No. 26: I. Chorus: Ah, how fleeting, ah, how empty |
3:00 |
2 |
Cantata No. 26: II. Aria: As fast as rushing waters gush (Tenor) |
7:33 |
3 |
Bach: Cantata No. 26: III. Recit.: Our Joy Will Be To Sadness Turned, (Alto) |
0:49 |
4 |
Cantata No. 26: IV. Aria: Upon earthly treasure the heart to be setting (Bass) |
4:13 |
5 |
Cantata No. 26: V. Recit.: The highest majesty and pomp (Soprano) |
0:41 |
6 |
Cantata No. 26: VI. Chorale: Ah, how fleeting, ah, how empty |
0:45 |
7 |
Cantata No. 84: I. Aria: I am content with my good fortune (Soprano) |
6:58 |
8 |
Cantata No. 84: II. Recit.: Indeed God owes me nothing(Soprano) |
1:20 |
9 |
Cantata No. 84: III. Aria: I eat now with gladness my humblest of bread (Soprano) |
5:26 |
10 |
Cantata No. 84: IV. Recit.: With sweat upon my countenance (Soprano) |
0:41 |
11 |
Cantata No. 84: V. Chorale: I live meanwhile in thee contented |
0:43 |
12 |
Cantata No. 99: I. Chorus: What God does, that is done well, |
5:08 |
13 |
Cantata No. 99: II. Recit.: His word of truth stands firm (Bass) |
1:14 |
14 |
Cantata No. 99: III. Aria: Disturb thyself do not, discouraged spirit (Tenor) |
5:35 |
15 |
Cantata No. 99: IV. Recit.: Now, the eternally contracted bond (Alto) |
1:04 |
16 |
Cantata No. 99: V. Aria: When the cross's bitter sorrows (Soprano, Alto) |
3:16 |
17 |
Cantata No. 99: VI. Chorale: What God does, that is done well |
0:52 |
|
total time: |
49:21 |
ISRC
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